Marion Cotillard was nominated again last night, which was her second Oscar nomination (I could have sworn she had more) and she of course has one Academy Award already, for 2007’s La Vie en Rose. This year Marion was nominated for a French language Belgian film that barely anyone has seen called Two Days, One Night. (I did see her in The Immigrant, she was excellent in that and she was up for a Spirit Award for that role, which went to Julianne Moore.) As per usual, Marion was in Dior, and as we’ve come to expect, it was offbeat. She was in an all white sleeveless Dior gown with a slight side train and a large circle print.
Cotillard was styled in a late 50s/early 60s vibe, and the whole look is very Zooey Deschanel at the Golden Globes. Plus the dress had tons of gathered fabric at the back that ended in a black band under her butt. So weird.
This is what Cotillard wore to the Vanity Fair Oscar party, and it’s not much better. I’m glad she didn’t wear this strange getup to the ceremony. What happens when Marion collaborates with designers? Do they drink pastis, smoke hash and come up with the strangest designs possible, using the most fabric? (Update: this outfit is not Dior, it’s a Giambattista Valli.) This dress is like the top of Julianne Moore’s Spirit Awards dress (also Dior) meets the bottom of Bjork’s swan dress (Valentino) with a giant black band at the waist topped with a jaunty white sash, tied into a half-assed bow. Just no.
Photo credit: WENN.com
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